Moving on to the interior of a car. I can never draw mechanics as easily as I can draw organic stuff, but I try. OH HOW I TRY.
I'm taking a layout class right now that, while taking some time away from Debris work, is actually very helpful. I'm thinking of changing the staging on some shots later on. I am INSPIRED, yo.
Here's another one...this one's a work in progress. Trying to draw while watching "Wristcutters: A Love Story." is not something I would recommend. I kept getting distracted by the movie (which is awesome, btw) and had to pause and rewind bits, resulting in a half-assed BG. Tsk. I'll fix it tomorrow, like the lazy bum I am.
Finishing up the country road BGs...moving on to the actual debris sequence, which is pretty abstract. Not much going on, but I think this one's kinda neat. It's an upshot; there's a big chunk of concrete that falls in a dramatic and frightening fashion. I hope. There's probably going to be a layer of smoke and dust animation overlaid on all of these. Is that a word? Overlaid? Looks weird.
More BGs. These are all for the first and last thirds of the film...a lot of "ext. country road night" business. I'm working pretty quickly, and they're not completely perfect, but I'm happy with them so far. I'm going for a more organic feel, and I like the scribbly bits, cause I'm crazy that way.
More BGs. While I was working on these, I came to the realization that I have no idea what a gas pump looks like without looking at pictures. The things I learn making cartoons...